![]() IT is a book ensconced in the supernatural, with the abstract that is evil given a face and a motivation, but above all else it is deeply human in its analysis of how people process trauma. The actual story that emerged from those combining concepts is one about childhood abuse. It was this that eventually inspired the dual, interweaving narratives of the novel – one following the ensemble of characters as children, and the other examining their lives as adults. Thinking about this classic symbol led Stephen King to remember the small corridor that existed between the adult and children’s sections in the public library he visited growing up, the two rooms featuring distinct aesthetics. It was through these conversations that King began to envision Derry, Maine, his own special version of Bangor, and the monster that lives in the dank tunnels beneath it.įurther reconsideration of the bridge that conceals the troll in “The Three Billy-Goats Gruff” led to the rest of IT falling into place. He was told by one individual that a person could take a canoe and travel from one end of the city to the other using the maze of pipes. He heard tales about Bangor’s crazy sewer system, and how the Works Progress Administration during The New Deal lost track of what they were building because of an overflow of federal funds. Acclimating himself to his new home, Stephen King spent some time walking all over and talking to the residents so that he could hear their stories. The notion swam about in the writer’s mind, but began to really take shape the following year when the King clan moved back to Maine – specifically to the small city of Bangor. He was suddenly reminded of the fairy tale “The Three Billy-Goats Gruff,” and he was inspired to write a novel about “a real troll under a real bridge,” only in King’s case, the bridge would be an entire city. Listening to the sound his steps made, he was instantly struck with an idea – a moment he describes in the essay “How IT Happened” ( from Secret Windows: Essays And Fiction on the Craft of Writing) as being akin to being blinded by a flashbulb in a dark room. When he got the call that the repairs were done, King set off on foot to go get it, and at one point found himself walking across a wooden bridge. ![]() Unfortunately, executives at the network developed cold feet in regards to the size of the investment, and as the scale of the project was reduced, Romero walked away to work on the 1990 remake of Night Of The Living Dead. After his plans to make Salem’s Lot, The Stand, Creepshow 2, and Pet Sematary hit their respective hurdles, the filmmaker saw IT as his opportunity to helm his first Stephen King adaptation since 1982’s Creepshow, and plans were formulated to turn the material into a massive television event. ![]() Romero very much wanted a crack at bringing to live-action. It’s also yet another novel that George A. ![]() Interweaving stories from two distinct eras, it’s an epic that is as spectacular as it is horrifying. And, of course, there’s King’s pure love of monsters. A book that was developed and written over the course of seven years, IT is a coalescence of everything that the world associates with Stephen King: the all-important bonds of adolescent friendship, as seen in “ The Body ” the dread of pervasive evil, as depicted in Salem’s Lot the scope of The Stand and even arguably the psychic battery of The Shining, albeit running an entire town on bad juju instead of a simple Rocky Mountain hotel. ![]()
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